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Release date 15 October 1954 or 25 October 1954 or 6 November 1954 Country India Language Tamil Ratha Kanneer ( lit. Blood Tears) is a 1954 Indian directed.
The screenplay was written by Tiruvarur K. Thangaraj, and the film features in the lead role. The film was produced by Perumal Mudaliar of National Pictures. The story revolves around Mohanasundaram, a returned-from-abroad, westernised, rich man who shows arrogance and contempt towards anything part of and anyone below his social standards.
The film was an adaptation of stage play of same name which also starred MR Radha. The film was released in late 1954 and it became a greatest hit in 's career. It was later remade as in 2003 in with and in the lead roles. Contents. Plot The film starts with Balu giving a speech and narrating the story before an audience gathered around a man's statue. Mohanasundaram is a philanderer, chain-smoker and drunkard.
He does not respect elders, or people below his social standards. He is ruthless and even beats his own mother (S. Immediately after his return to India, he is married to Chandra , a cultured, well-mannered, conservative Indian village girl. But he develops an affair with Kantha , a prostitute. His best friend Balu tries to advise him and mend his ways but Mohan turns a deaf ear. Mohan even failed to attend his own mother's post-death formalities as he wanted to attend the birthday function of Kantha's mother. Mohan loses his mind over Kantha, even surrenders all his riches to her and also loses every loved one in his life.
When he lost the last of his riches and close ones, he gets struck down by leprosy. His life then turns upside down. With no money left for the treatment of his disease, he is totally ignored and despised by Kantha and her associates.
She even locks him up in a room and treats him like an untouchable. In a few days, Kantha throws him out of her house and Mohan loses his eyesight soon after. As a poor leper, he wanders the streets to beg for food.
In this last stage of his life, he learns the value of life itself and how to respect others. He feels remorseful for the way he treated his wife, mother and everyone else around him. He meets Chandra, his wife, who now lives a scarce life. Both do not recognize each other, as he is blind and she gets to see only his disfigured, leprosy-stricken face.
He also meets his old best friend, Balu. The trio finally recognize each other. Mohan also learns through Balu about Kantha's death in an air crash. Mohan marries Chandra to Balu, in the hope that the still-virgin Chandra can now only be loved and cared for by a better man than Mohan himself. He also speaks his parting words and requests a leper's statue to be risen in his likeness, as a threatening example to philanderers like himself. In the final scene, Balu finishes his narration in front of Mohan's statue (as seen in the beginning) and breaks into a song about righteousness and values of life. Cast.
as Mohanasundaram. as Balu. as Kantha. as The pimp. as Chandra. S.
Janaki as Mohanasundaram's mother Dance. choreographer: Muthuswami Pillai Production Ratha Kanneer was a stage play written by Thiruvarur K.
Thangarasu, a disciple of Periyar and contemporary of Mu. Portrayed the main character of a philanderer in the play.
Radha's play was a roaring success wherever it was staged, elevating him to an iconic status in the field of theatre. The play was staged not only in South India but also in places like Malaya (now Singapore and Malaysia), Burma (now Myanmar) and Ceylon (now Sri Lanka) where it met with equal success. Director duo decided to adapt the play into a full-fledged feature film with Radha reprising his character. The film adaptation, also titled Ratha Kanneer, was produced by Perumal Mudaliar under National Pictures.
The film marked the comeback of M. Radha to cinema after a long absence; he was paid ₹1 lakh (equivalent to ₹72 lakh or US$100,000 in 2017) as the remuneration for the film. Rajam was selected to portray the Kantha. For the character, Rajam had to put weight. Rajam recalled none of the actresses were willing to portray the negative character, she agreed to play after she was approached by Krishnan-Panju. Rajam said she was hesitant to enact the scene where she had to kick Radha down from the staircase, she later relented after being requested by Krishnan. The final length of the film was 15,895 feet (4,845 m).
Themes and influences The story revolves around Mohanasundaram, a returned-from-abroad, westernized, rich man who shows arrogance and contempt towards anything part of and anyone below his social standards. According to Selvaraj Velayutham, Ratha Kanneer was built on a framework of purity and impurity.
The title of the film meaning 'Tears of Blood' refers to the tears of the wife who is pure. Marja Evelyn Mogk in her book Different Bodies:Essays on Disability in Film and Television wrote that the film pairs 'western debauchery with consequent traditional punitive reprisal in form of physical disfigurement' and also noted that the storyline of the film mirrors resemblance to Samba, son of Lord Krishna. Researcher and ethnographer Preeti Mudliar compared (1954) to Ratha Kanneer because in both films, 'the sin of foreignness is neutralised by a chaste Tamil woman, the virtuous wife'.
Soundtrack Soundtrack was composed by while the background music. Lyrics were written by, and Ku. The soundtrack was released under the label. The songs 'Kutram Purindhavan' and 'Aalai Aalai' attained popularity. Song Singers Lyrics Length (m:ss) 1 Aalai Aaalai Paarkirrai Udumalai Narayana Kavi 02:59 2 Kutram Purindhavan Vaazhkaiyil Nimmadhi Ku. Krishnamurthy 03:44 3 Kadhavai Saathadi 03:54 4 Maalai Itta Mannan Yaaro T.
Rathinam Udumalai Narayana Kavi 02:59 5 Tatti Parithaar En Vaazhvai T. Bagavathi 03:23 6 Manidhar Vaazhvile Manam Adhu Pole 03:12 7 Vaalavayathaagi Azhagaagi Madhanaagi C. Jayaraman 03:04 8 Pengale Ulaga Kangale T. Bagavathi 03:11 9 Aalaiyin Sangge Nee Oothaayo M. Vasanthakumari 03:28 10 Thannai Arindhu C.
Jayaraman 03:18 Adaptations and remakes The play inspired an adaptation in Telugu by the Telugu film star C. Nagabhushanam, and later the Tamil film was dubbed into Telugu. After MR Radha's death, his eldest son, M.R.R.
Vasu, played the protagonist in the play till his death, and at present donning the character is Radha Ravi. Kannada actor who saw the film and adapted the film in Kannada for the current trend, he appeared in a lead role. The remake titled was directed.
The film was released in 2003 and became successful venture. Legacy After the success of the film, Radha became a much sought-after artiste in Tamil cinema. In July 2007, S.
Ashok Kumar of The Hindu asked eight Tamil film directors to list their all-time favourite Tamil films; and named Rathakanneer as one of the favourite films in Tamil. Mahendran said: 'Ratha Kaneer, has progressive ideas and great acting by M.R.Radha'.
Actor stated that 'You can’t reproduce movies like, Veerapandiya Kattabomman or Ratha Kanneer. By remaking such films, you are lowering yourself, while it enhances the original artists’ image.' In September 2014, in an interview with Sudhir Srinivasan of The Hindu, listed Ratha Kanneer among his favourite films alongside (1968), (1964) and (1973). Lyricist listed Rathakanneer among his favourite films. In November 2008, listed it among favourite films. Tamil film history and its achievements (in Tamil). Chennai: Sivagami Publishers.
From the original on 4 January 2018. (in Tamil). Archived from on 4 January 2018. Retrieved 4 January 2018. Archived from on 4 January 2018. Retrieved 4 January 2018.
6 January 2014. Archived from on 25 June 2015. Retrieved 11 September 2015. Tamil film actor M.
Radha's birthday: 21 February 1907. 21 February 2018. Retrieved 15 August 2018.
6 April 2015. Retrieved 15 August 2018. 5 February 2016. Retrieved 16 May 2017. From the original on 25 June 2015. Retrieved 25 June 2015.
Retrieved 11 September 2015. Mudliar, Preeti (2015). (PDF) from the original on 18 July 2016. Retrieved 11 September 2015. Retrieved 11 September 2015. Archived from on 20 February 2008. Retrieved 11 September 2015.
Retrieved 11 September 2015. Anand (3 January 2008). From the original on 26 March 2015.
Retrieved 20 February 2015. sudhir srinivasan. Retrieved 11 September 2015. Retrieved 11 September 2015. Retrieved 11 September 2015. Bibliography. Kannan, R.
Velayutham, Selvaraj (2008). Tamil Cinema: The Cultural Politics of India's Other Film Industry.
Psychology Press. Mogk, Marja Evelyn (2013). External links. on.